The Moving Image… Magic boxes and story films...Boscaí Draíochta agus Scannáin Seanchais

Context Galleries presents specially programmed events in parallel with the Foyle Film Festival 2005:

The Moving Image… Magic boxes and story films
Boscaí Draíochta agus Scannáin Seanchais

A collaboration between Jan Caspers and artists from three different countries, Catherine Chaumont of Québec, Canada, Ian Joyce of Donegal, Ireland and Julia Oschatz of Germany, ‘The Moving Image’ combines traditional printmaking with the moving images of early story film reels thus drawing an interesting parallel to the contemporary Foyle Film Festival which takes place at the same time.

Each artist presents three print cycles. The prints will eventually be mounted on conveyor belts and operated as continuous loops in mechanical screen cases. Thus only one set of three images will remain visible at any time, resulting in ever changing aspects of the landscapes, stories and abstract representations that form the subject of the cycles.

Born in Germany, Jan Caspers has worked in the medium of story and shadow films for a number of years. In the summer of 2003 he brought together three visual artists as part of an Údaras na Gaeltachta project entitled ‘Boscaí Draíochta – Scannáin Seanchais’. This project aimed to complement the work of schoolchildren who had made story films of their own with the work of artists with different visual vocabularies.

Catherine Chaumont is from Québec and works as a printmaker and piano teacher in Montréal. Her main interest is in the combination of visual art with language and music.

Ian Joyce is from Ireland and works as a printmaker and audiovisual artist in Donegal. He runs Cló Ceardlann na gCnoc, a printmaking workshop and artists’ resource centre in Bunbeg in the Donegal Gaeltacht.

Julia Oschatz is from Germany and works as a painter and visual artist in Frankfurt. She has exhibited widely in Germany, Switzerland, Austria and Iceland and New York.

Preview Wednesday November 16th. Runs until December 3rd 2005.

No comments: